The cartoon character Wile E. Coyote produces simulations (e.g. a painting of a tunnel on a wall which can be entered) that are able to determine reality and the perception of physical space and matter itself. Based on this narrative, the aesthetics moods of the virtual that are nowadays produced under the conditions of technical performativity are explored.
“More World Material” attempts to encapsulate a sensorial understanding of the phenomenological world via a diagrammatic approach. More precisely, it reflects an engagement with the space in-between the physical and nonphysical world, between the human and nonhuman spheres, which humans can only access by creating a “1 to 1 map of the world”, an all encompassing simulation: a parallel universe.
PRINT VERSION available here: